English Coursework on Miller Essay Example for Free

English Coursework on Miller Essay Alfieris speech at the beginning begins by introducing a lot of concepts which are explored upon later in the play. He begins with a speech on lawyers and the distrust that originates from it, You see how uneasily they nod to me? Thats because I am a lawyer a lawyer means the law, and in Sicily the law has not been a friendly idea. We can see later in the play that both Eddie and Marcus turn to the law for help, but the law lets them down, You mean to tell me that theres no law that a guy which he aint right can go to work and marry a girl and. These two parts of the play link to show us that the law will often clash with loyalty, and when something interferes with loyalty, one often has to turn to the law for help; however, the law may often deal with the problems too severely. We can see this by the drastic action that Eddie has to take to remove Rodolpho from the scene. However, the idea of justice is introduced. It is possible to deduce that the law governing Italy is not the law that is written as we can see from what Alfieri says about justice Justice is very important here and what Marco says about the law, All the law is not in a book, later in the play. This may be suggesting through authorial intention that something greater governed Italy than the written law, which controlled justice in its own right. We can see throughout the play what this other law may be: loyalty. One of the first major mentions of a sense of loyalty begins with Eddie, And they spit on him in the street, his own father and his brothers. This suggests that the law is secondary to loyalty within a family, and if the law is acted upon when there is a problem in a family, the loyalty is broken and the one who broke it is punished in another way. This is a premonition of what happens to Eddie later on. Eddie speaks his own fate in this small anecdote, He was crazy after, I tell you that, boy. At the end of the play, after Eddie has broken his loyalty, we see him grow crazier as Beatrice confirms, Hes crazy now, you know the way they get, what good is it! and we see in the stage directions, He is incensing himself and little bits of laughter even escape him as his eyes are murderous. This completes the anecdote, and suggests that the play was futile from the beginning and an inevitable turn of events towards the end of the play, making the play a tragedy. This is reinforced by Alfieris beginning speech, in which he says, heard the same complaint and sat there as powerless as I, and watched it run its bloody course. This also shows Alfieris futile attempts to help the situation and the inevitable bloody course towards the ending. As well as demonstrating the anecdote, Eddie may also represent affectionate emotions between members of a family. It could be interpreted that Eddie feels a love for Catherine, Hi Eddie! [Eddie is pleased and therefore shy about it ] near the beginning of the play. Miller maybe exploring the effects of such forbidden love, as it were, on a marriage. We can see the effects on Beatrice, When am I gonna be a wife again, Eddie? as Eddie fights his possible love for Catherine within him. Eddie tries his best to suppress his other feelings until he has to warp the past in order to cope with his relations with Beatrice by putting the blame on her, I want my respect, Beatrice what I feel like doin in the bed and what I dont feel like doin. This suggests that Eddie does not want this unwanted love for Catherine as he attempts to change history to cover it up and put it behind him. Beatrice reacts differently however in her discussion with Catherine, If it was a prince came here for you it would be no different. This suggests she is fighting against Eddie to get Catherine out of the house so that her relationship with Eddie can return to normal. Along with Catherines love for Rodolpho, this can show that love for another person can overcome a strong attachment with another and break bonds to allow the love to flourish, in this case, Beatrice is severing the ties between Catherine and her home. However he also has trouble letting go of Catherine, Hes stealing from me! . This quote suggests that he sees Catherine as his own personal property and not a woman of her own right. This idea of owning Catherine is reinforced by the way he is unable to stop giving her orders even when he was trying to right their relationship, Suppose I told her to go out. This suggests that Eddie does not fully understand the situation and cannot ever be trusted to ever completely understand the freedom he has to give Catherine. To focus more on his relationship with Catherine, we can see a protection around Catherine and a wish to hold her down as a baby which is shown in the first scenes. I think its too short, aint it? Through this Miller may be suggesting that if the one a person loves changes, the other will strive to keep that person as how they were even though they can never return. There is, however, a tenderness when it comes to critisizing Catherine, Yeah, its nice. This shows he cannot bring himself to hurt Catherine at the beginning and only wishes for her to feel good. However Eddie may be loving a Catherine that no longer exists, and so he strives to hold Catherine down, Youre a baby, you dont understand these things,. This will in turn hurt Catherine as she is unable to be free whilst continuing her relationship with Eddie. We can see how Catherine reacts to these restrictions Eddie places on her. She is upset by his disapproval of her skirt, [almost in tears because he disapproves] which suggests she has great respect for Eddies opinions about her. As Eddie exerts his dominance over her,Listen, I could tell you things about Louis which you wouldnt wave to him no more and she tries to get out of it [trying to joke him out of his warning], we can see this as another premonition as how she tries to get away from Eddie later in the play. Beatrice poses the question in her mind, Look, honey, you wanna get married, or dont you wanna get married? of whether she should break the bonds and be free, or stay with Eddie and never become a woman. At this point, Catherine is unable to decide I dont know B. and these quotes show us that she has not broken away the ties between herself and Eddie. However later on, her love for Rodolpho and to live her own life overcome her love for Eddie, Hes a rat! He belongs in the sewer! . This suggests that throughout the play we have seen Catherine become a woman from being a child, and Miller might be telling us, through the dramatic changes in her affections, that becoming a woman from a child is a traumatic experience for many. From this Miller has introduced most of the main ideas in the rest of the play from the scene at the beginning. Because they have been set in motion from the beginning, and are carried through right to the end, we get more of the idea of inevitability and tragedy within the play. What is more, because they reach fruition right at the end, they remind us of a cyclic pattern in which we are reminded of the beginning of the play. This suggests to the audience that the whole event was futile as it will do nothing to help such situations in the future.

The Repentant Lieutenant in Othello Essay -- Othello essays

The Repentant Lieutenant in Othello  Ã‚        Ã‚   Othello, a William Shakespeare classic, sees the attempted ruination of the general’s right-hand man on more than one occasion by the insidious and jealous ancient. Let’s achieve a better understanding of the lieutenant’s case in this paper.    Cassio’s biggest fall is with the Iago-schemed incident of inebriation. In The Riverside Shakespeare Frank Kermode explains the total meaning of the loss which Cassio’s drunkenness cost him:    Cassio, cashiered, thinks he has lost what Othello is soon really to lose, his reputation: â€Å"I have lost the immortal part of myself, and what remains is bestial† (II.iii.263-64). (We must think of â€Å"reputation† as meaning not merely the good word of others, but that self-respect which is indispensable to social beings, and without which they cannot function well in private or public life. Without it, a man is no more than a beast.) (1200)    Cassio is a blend of good and bad elements, a potpourri of positive and negative features. Kenneth Muir, in the Introduction to William Shakespeare: Othello, explains the ins and outs of Cassio’s personality:    Cassio is defined partly by the exigencies of the plot, which require him to have a poor head for drinking and to have a mistress; but his chivalric worship of Desdemona, his affectionate admiration for Othello, which enable him even at the end to call him ‘Dear General† and to speak of his greatness in heart, and his professional reputation, which only Iago impugns, build up a complex portrait of an attractive, if flawed, character. In spite of his weaknesses, we can understand why Iago should be envious of the ‘daily beauty in his life’ and why Desdemona should speak so warmly ... ...d, a little later, in his sincere regret about the loss of his reputation after he has partaken of the wine which Iago has forced upon him. (85-86)    WORKS CITED    Bevington, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books, 1980.    Bradley, A. C.. Shakespearean Tragedy. New York: Penguin, 1991.    Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.    Kermode, Frank. â€Å"Othello, the Moor of Venice.† The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.    Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.    Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.    The Repentant Lieutenant in Othello Essay -- Othello essays The Repentant Lieutenant in Othello  Ã‚        Ã‚   Othello, a William Shakespeare classic, sees the attempted ruination of the general’s right-hand man on more than one occasion by the insidious and jealous ancient. Let’s achieve a better understanding of the lieutenant’s case in this paper.    Cassio’s biggest fall is with the Iago-schemed incident of inebriation. In The Riverside Shakespeare Frank Kermode explains the total meaning of the loss which Cassio’s drunkenness cost him:    Cassio, cashiered, thinks he has lost what Othello is soon really to lose, his reputation: â€Å"I have lost the immortal part of myself, and what remains is bestial† (II.iii.263-64). (We must think of â€Å"reputation† as meaning not merely the good word of others, but that self-respect which is indispensable to social beings, and without which they cannot function well in private or public life. Without it, a man is no more than a beast.) (1200)    Cassio is a blend of good and bad elements, a potpourri of positive and negative features. Kenneth Muir, in the Introduction to William Shakespeare: Othello, explains the ins and outs of Cassio’s personality:    Cassio is defined partly by the exigencies of the plot, which require him to have a poor head for drinking and to have a mistress; but his chivalric worship of Desdemona, his affectionate admiration for Othello, which enable him even at the end to call him ‘Dear General† and to speak of his greatness in heart, and his professional reputation, which only Iago impugns, build up a complex portrait of an attractive, if flawed, character. In spite of his weaknesses, we can understand why Iago should be envious of the ‘daily beauty in his life’ and why Desdemona should speak so warmly ... ...d, a little later, in his sincere regret about the loss of his reputation after he has partaken of the wine which Iago has forced upon him. (85-86)    WORKS CITED    Bevington, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books, 1980.    Bradley, A. C.. Shakespearean Tragedy. New York: Penguin, 1991.    Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.    Kermode, Frank. â€Å"Othello, the Moor of Venice.† The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.    Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.    Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.   

Organizational Language

Organizational Language A human language is a kind of code. It functions on the basis of words which is unique verbal symbols which correspond to all the objects or ideas which the speakers of that language need to communicate to one another. It also has rules, followed habitually by its speakers, for linking the words of the language together. Languages in the sense in which we understand them have developed as the common means of communication of large groups of people who habitually communicate with one another and communicate less often with outsiders.A language draws together the people who speak it, and excludes others. The rules for using a language are followed by all members of the linguistic community, for all wish to be understood. Those rules are typically paralleled by other rules or laws, conventions, customs which all also have to follow if they wish to be socially accepted in that particular social and political community. To be able to speak a language is a badge of membership of a community. It ensures acceptance by other members, provided the other rules of the group are also followed. Language networks minds together.The possession of a common spoken language and even more, the later possession of a common written language enables each member of a community to benefit from the communicated experience of others, so that the mental capacity of each separate individual becomes less important. It enables fellow-members of contemporaneous groups to share information and experience. Each people speaking a common language developed a collective memory, a common store of cultural experience on which all could draw. Language enabled a community to build up long-term traditions, beliefs and values which differentiated it from other communities.

The Music Of The Piano - 1321 Words

The piano holds a slew of beautiful notes that are strung together by great mechanics. For centuries, users and audiences have enjoyed the melodic tunes that are played with this instrument. Famous names, such as Ludwig van Beethoven, Wolfgang Amadeus Mozart, and Clara Wieck Schumann. The art of piano has since been fine-tuned with different styles as it used to be known to be featured in just classical music. Pianos have been famous in hymns as its tune can account for much uplifting music. Jazz, RB, and other music genres have utilized the musical benefits of the piano. Brief History To better understand the different ways of playing the piano, one should know the journey it went through to become what it is today. The name itself is†¦show more content†¦The symbols of notation will help the user acquire much needed skills to move on and grasp the art of playing the piano. For starters, one of the main things users will notice is what the notes are written on. As College Ruled paper would be used to properly situate words in an organized manner, musical notes are placed in a manner where it can be properly organized for large audiences to know how to read. These lines are called the staff. These have deeper meaning than writing on a piece of regular lined paper, though, as each line also represents an important aspect of the music. The line spaces represent notes from A-G, and help the reader to better understand the music. Some of the common basics to learn is the two main clefs. These are, the treble clef and the bass clef. The treble clef is the G at the left and the bass clef is known as the F. The treble clef focusses on the second line from the bottom of the staff, while the bass clef has two dots that are hover above and below the second line to the top. 2. Learning The Language The staff is not limited and can be extended if needed. The way this is done is by using what is called ledger lines. This extends the range of the staff. 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